Monday, 16 November 2009
Friday, 28 August 2009
Supergroup - well...
Hey there.
Right, so. First off - my guitar STILL isn't here. I'm going to be seriously angry if it doesn't arrive before my holidays are over, I mean - RAGE angry. THIS ANGRY:
ANGRYMETER:
Usually I'm this angry (since I'm a teenager): [llllllllll ]
After the first guitar was sent back? [llllllllllllllll ]
Now: [llllllllllllllllllllllllllll]
Anyway, onto today's topic. You may or may not, depending on if you keep yourself decent by updating yourself on websites such as ultimate-guitar or by reading magazines such as Classic Rock, know about this knew "supergroup" going by the somewhat strange name of Chickenfoot. I mean, funky name and all, but can it live up to the expectations?
Sorry, sorry, I should explain. A supergroup is the term labelled to a band formed with experienced and generally accepted to be awesome rock'n'rollers. For example, stick Flea, Travis Barker, Zakk Wylde and Ozzy Osbourne into the same band and you have a supergroup. Of course, there is absolutely no guarantee that the group will actually produce decent music together! In the example, the only two who would really mesh together would be Zakk and Ozzy, since they've worked together in the past and share the same style of music. Flea is all over the place, genre-wise - best know as bassist of RHCP, who have been through psychedelic, punk, funk, alternative... you name it, they've sampled it. Anthony even throws in rap in a lot of their songs. And Travis Barker is pure pop-punk/hip-hop, as shown by his journeys with popular punk band blink-182 and with his remixes of hip-hop/rap songs like Low and Soulja Boy.
So, Chickenfoot comprises of these members: Michael Anthony (bass), Chad Smith (drums), the great Joe Satriani (lead guitar) and Sammy Hagar (rhythm guitar/vocals). Recipe for success, right? Actually yes, it is right. Despite the fact you might imagine their tastes clashing, their chemistry seems to be brilliant - they actually look happy and fitting together on stage, bright smiles plastered over their faces, etc. Chad, drummer of RHCP, again has been through a lot of types of music, including socks-on-cocks. Sammy and Michael have both been in Van Halen at one point so they're on pretty level ground right there. Satriani is a surf-rock kind of guitarist, best known for his solo guitar work such as Satch Boogie, and his incredible technical ability. They're actually pretty similar, hence their great cohesion.
Want proof they're good? I'm sorry, but this riff is just SO addictive it's crazy.
Yes. Yes, yes and yes. With those three shocking yeses, I must go. G'bye.
Tuesday, 25 August 2009
Amazon Marketplace = bad.
Thursday, 30 July 2009
I CANNOT WAIT.
Hazard a guess why? Maybe I'm about to go and watch the entire nation of France cry when they find out snails are actually slugs, which are pretty much worms, which crap out soil. Gross. Or maybe I'm going outside to point and laugh at Britney Spears who just shaved her hair off a second time. (By the way, that hasn't actually happened, I'm just theorizing.) Or maybe even...
I'M GETTING A NEW GUITAR WHOOOOOOOOOOOOOOOOOOOOOO.
Okay, this will be complicated to explain... right, here goes. Basically, this is the list (in chronological order) of guitars that I was going to spend the money I receive from this blog on.
- Les Paul '56 Goldtop Reissue (£379)
- G-310 (~£150)
- G-400 (~£250)
- G-400 1956 Reissue (~£310)
- Les Paul Standard Plain-Top (worth £350, I got it for £250)
Yeah. I know, I'm a teenager, I'm undecisive. You can't blame me though - there's a massive selection that you're asking me to rifle through and pick the best from. First, I saw the LP Goldtop's finish and said "I WANT IT". However, I soon realised it'd have taken almost until my birthday before I'd have saved up enough money for it. So, being impatient (and, in hindsight I see stupid), I decided to set my sights on one of the cheaper Epiphones - the G-310. It's not a bad guitar by any means, but the finish is so boring and untextured. It's the one you'll see a picture of, the fully black one with chrome hardware and white trimming. Of course, I read a few reviews to check up on the G-310's musical abilities, and found it was inferior to its bigger brother, the G-400. As such, I decided to get that instead. Then I looked at a review for the '56 reissue, which claimed better tone, finish and action. It didn't cost a huge amount more (or so I thought at the time) so I decided to aim for that. THEN I saw the LP Standard, and realised why my first choice had been a Les Paul. Sure, the SG looks great - I still love the shape of that body with the similarly shaped pickguard, it's a beautiful guitar. But unless I could have had the '55 reissue (EVEN BETTER than the '56 one) I knew Les Pauls were better overall. That must've been the reason so many more artists are famous for their Les Pauls than SGs - take SGs. They're great, but the only truly famous musicians that frequently use/used them are Angus Young and Tommy Iommi. As opposed to the Les Paul - Jimmy Page, Slash, Jimi Hendrix (yes, he did when he was touring London before switching to the Strat), Jeff Beck, Eric Clapton (for a while), Ace Frehley, Billie Gibbons, Roy Orbison, Kirk Hammett, Mick Taylor, Joe Perry and of course, the legend Les Paul himself. That's just naming a few.
So, that would conclude this post. NOTE: It's not today's post, I'll be making another. Maybe even three - is it possible? I hope so.
Monday, 20 July 2009
WARNING: This is level 8 stuff.
Friday, 17 July 2009
School's Out!!


Tuesday, 14 July 2009
Swine Flu makes me :(
Thursday, 9 July 2009
Guitar Lesson - Speed Buster!
Speed is something which comes to a guitarist with constant practice! Determination and consistency are two things that will get you to your goal. Vinnie Moore in his instructional CD said, he had a daily 1 hour routine where all he did was just shred, and play chromatics, and also play patterns, at blazing speeds. One of his biggest secrets is no secret to a developing guitarist, you have to go up gradaually. No one can expect to get upto speeds reached by Michael Angelo at once.
To someone eager to reach high speeds, the metronome should be your best friend. Now there are alternatives to the metronome, but this is the best way. As I have said before consistency and determination is what you need. You should try to create a practice schedule pf your own, let it be 30 mins, or an hour. Its very important. Now what do you do, in this 30-60 mins, this is supposed to be really boring. Repeat chromatics, play them in different patterns and so on. Here are some exercises that you can do in your routine. I found them very useful. You'll say the same thing after doing them. For those of you who dont know! A D refers to a downstroke and U to an upstroke!
Exercise 1
This is for beginners. Dont avoid alternate picking, its a key weapon when it comes to playing fast. The exercise lets you get used to alternate picking.
D U D U |-0--0--0--0--1--1--1--1--2--2--2--2--3--3--3--3-|Repeat till 12 |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------|
Its really helpful especially if you havent done alternate picking before. After that reverse the pattern, that is Up Down Up Down.
Exercise 2 D U D U |------------------------------------------1-2-3-4--5-4-3-2---------------- |----------------------------------1-2-3-4------------------5-4-3-2-------- |--------------------------1-2-3-4----------------------------------5-4-3-2 |------------------1-2-3-4-------------------------------------------------etc |----------1-2-3-4--------------------------------------------------------- |--1-2-3-4-----------------------------------------------------------------
This is the 4 note chromatic pattern. Its really boring, yet very useful. Play it till the 12th fret. To make this a bit more interesting you can use legato (Hammerons and Pull offs), and string skipping. When you use string skipping use your imagination, you can play the 4 note pattern in E String then skip to D, then A to G and so on.
Exercise 3 D U D |-------------------------------1-2-3--4-3-2------------------------------- |-------------------------1-2-3--------------4-3-2-etc--------------------- |-------------------1-2-3-------------------------------------------------- |-------------1-2-3-------------------------------------------------------- |-------1-2-3-------------------------------------------------------------- |-1-2-3--------------------------------------------------------------------
Now this may seem simple enough. But trust me, its not. Its pretty deifficult to keep the D U D U pattern going. Thats the key to this exercise. Try to play D U D U, until you become absolutely 100% accurate. Use string skipping.
Exercise 4 D U D U |-----------------------------------------1-3-2-4---------| |---------------------------------1-3-2-4---------2-4-3-5-| |-------------------------1-3-2-4-------------------------| |-----------------1-3-2-4---------------------------------| |---------1-3-2-4-----------------------------------------| |-1-3-2-4-------------------------------------------------| |-----------------------------------------| |-----------------------------------------| |-2-4-3-5---------------------------------| |---------2-4-3-5-------------------------| |-----------------2-4-3-5---------3-5-4-6-| |-------------------------2-4-3-5---------|
Now this is very very useful! Now instead of using playing 1324, you may also play 1423 or 1324 or anything. Use your imagination. Use string skipping.
Exercise 5 D U D U |-1234----------------------------------------------6789--| |------2345------------------------------------6789-------| |-----------3456--------------------------6789------------| |----------------4567----------------6789-----------------| |---------------------5678------6789----------------------| |--------------------------6789---------------------------| |---------------------------------------------------4321--| |-8765-----------------------------------------4321-------| |------7654-------------------------------4321------------| |-----------6543---------------------4321-----------------| |----------------5432-----------4321----------------------| |---------------------4321-4321---------------------------| Exercise 6 and 7 D D D D |-----------------------4-------------------------| |---------------4-----3---------5---------------6-| |-------4-----3-----2---------4---------5-----5---| |-----3-----2-----1---------3---------4-----4-----| |---2-----1---------------2---------3-----3-------| |-1-------------------------------2---------------| UUUU |-1-------------------------------2---------------| |---2-----1---------------2---------3-----3-------| |-----3-----2-----1---------3---------4-----4-----| |-------4-----3-----2---------4---------5-----5---| |---------------4-----3---------5---------------6-| |-----------------------4-------------------------|
These 2 exercises will later help you with sweep picking, treat them with respect, and you will be rewarded. Now before I finish I will provide one more exercise, in fact its a pattern. That is you can use it with scales and stuff. Its probably the most common off em all. And as you get faster you'll realise how often they are used by your favourite speed demons.
D U D U D U D U D U D U D U D U |---------------------------------|--------------------------------| |---------------------------------|--------------------------------| |---------------------------------|--------------------------------| |---------------------------------|---------5-------5-6----5-6-7---| |---------5-------5-6-----5-6-7---|-5-6-7-8---6-7-8----7-8-------8-| |-5-6-7-8---6-7-8-----7-8-------8-|--------------------------------| |---------------------------------|----------------------------------| |---------------------------------|---------5-------5-6-----5-6-7----| |---------5-------5-6-----5-6-7---|-5-6-7-8---6-7-8-----7-8-------8--| |-5-6-7-8---6-7-8-----7-8-------8-|----------------------------------| |---------------------------------|----------------------------------| |---------------------------------|----------------------------------|
Now this is really basic, spend some time with and try using it in your solos- very useful. You should play all the exercises above regularly even though its got the same effect as watching Oprah. But unlike Oprah this helps (no hard feelings n e 1, its just that the show is boring). Try to make them more interesting by using effects, using variations I. e strike each notes in a different way, vary your speed, use other legato and all.
Now that ends part I, (I don't know whether there will be a Part 2). If you are a beginner, what I would suggest is play each exercise in such a way, that you can play em with your eyes closed. Then use the metronome, and gradually increase your speed that is from 110 to 120. Dont kill yourself by starting of with 150. Thats about it! Take care and remember that the metronome is your best friend.
Note: In my 3 years of learning these are some exercises which have improves my playing a lot, I have studied articles, videos and lots of other stuff. If the article looks or is similar to any other in the internet, its accidental. There is no plagiarism involved.
Enjoy.
Wednesday, 8 July 2009
God Gave Rock N' Roll To YOU!!

Tuesday, 7 July 2009
History Assessment Extract - hooray!!
Sunday, 5 July 2009
ILLNESS :( :( :(
Tuesday, 30 June 2009
Improv!??!?!

Thursday, 25 June 2009
DO NOT PANIC.
Tuesday, 23 June 2009
I can has band!?
Monday, 22 June 2009
Volume control please.
Sunday, 21 June 2009
Yeaahhh. Back on track.
Saturday, 20 June 2009
Ohmigodohmigodohmigod!
